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Lera is a DJ currently based in Dortmund, Germany. She began her journey in 2020 within the Kharkiv project Kultura Zvuka and later became active in Kyiv’s electronic music scene. After relocating across Europe, she continued performing and developing her sound on local scenes.
Her sets blend dense house grooves with a strong sense of space, dynamics, and dancefloor awareness. Built as a continuous narrative, they move from deep, hypnotic moods toward more energetic forms, focusing on rhythm, texture, and long-form flow.
Nico Zobel ist ein DJ und Produzent aus Essen und seit mehreren Jahren in der elektronischen Musik aktiv. Als Mitgründer des Veranstaltungskollektivs Aquatica ist er Teil der lokalen Clubszene und veröffentlichte Musik auf Labels wie Groove Estate und Abstract Motion. Sein Sound bewegt sich zwischen groovigem Techno, House, Breaks und trance-orientierten Elementen – stets angepasst an den Vibe der Party und den Dancefloor.
Kinan Halabi is a Germany based DJ, curator, and event organizer whose sound moves freely between techno, house, electro, and break-driven rhythms. His sets are defined by groove, tension, and narrative flow, blending raw club energy with subtle, detail-oriented selections that adapt to both peak-time dancefloors and deeper, late-night moments.
His journey into electronic music began in 2007 in Aleppo, Syria, where he first connected with DJ culture and underground club sounds. After relocating to Germany, he played his first gigs in 2015, gradually establishing himself within the local scene through a versatile and open-minded approach to music, shaped by both his roots and his evolving club experience.
Beyond the DJ booth, Kinan became increasingly active as a booker and event organizer, focusing on carefully curated line-ups and cohesive night concepts rather than genre boundaries. As a co-founder and resident of Aquatica Collective, he has played a role in developing events that prioritize quality, inclusivity, and a strong sense of atmosphere, bridging house, techno, electro, and broken rhythms into unified dancefloor experiences.
With a background in design and spatial thinking, Kinan approaches DJing as more than track selection, treating each set as a dialogue between sound, space, and crowd. Whether performing or curating, his work is driven by a clear intention: to create immersive nights that feel both physical and memorable.
Wasted Lipstick ist ein DJ und Veranstalterin aus Essen im Herzen des Ruhrgebiets. Schon früh entdeckte sie ihre Leidenschaft für elektronische Musik und ist seitdem fester Bestandteil der Techno-Community.
Als Mitgründerin des Aquatica-Kollektivs setzt sie sich für mehr Sichtbarkeit von FLINTA*-Artists und subkulturellen Räumen ein.
Musikalisch steht Wasted Lipstick für treibenden, groovigen Techno mit einer großen Leidenschaft für tribale Elemente. Mit einer Residency im Essener Club Hotel Shanghai und der queeren Partyreihe Schwesta Party hat sie sich als aufstrebende DJ in der Ruhrgebiets-Szene etabliert.Ihre Sets verbinden kraftvolle Rhythmen mit verspielten, melodischen und treibenden Elementen und schafft so eine tiefe Verbindung zum Publikum. Dabei richtet sie sich stets nach der Energie des Dancefloors und erschafft eine mitreißende Atmosphäre, die zum völligen Eintauchen in den Sound einlädt. Ihr Stil ist vielseitig, überschreitet Genre-Grenzen und bleibt dabei doch immer dem Kern elektronischer Musik treu.
Jedes ihrer Sets ist eine Reise – zwischen Intensität und Euphorie – und macht jedes Set zuEin einzigartiges Erlebnis auf dem Dancefloor.
HALBTØNE is a live electronic music project specializing in hypnotic, rhythm-driven soundscapes built through gradual progression and controlled dynamics. The project prioritizes precision, continuity, and spatial depth, delivering immersive performances designed for focused listening environments and club settings alike.
Originating from Bulgaria, HALBTØNE developed his practice outside conventional production and performance infrastructures. This independent approach has shaped a disciplined, self-directed methodology where limitation, repetition, and long-term development serve as compositional tools rather than stylistic flourishes.
The project is hardware-only, using a semi-modular setup combinated with Drum machines, allowing for hands-on control, real-time improvisation, and organic evolution of each performance. The focus lies on texture, rhythmic tension, and subtle modulation, ensuring each live set is unique, physically engaging, and meticulously structured.
The project’s work emphasizes the creation of immersive sonic environments, blending physical presence with conceptual depth, offering audiences a sustained and evolving experience rather than momentary impact.
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Freddy K
all night long
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für FLINTA* Producers
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Sustain Release
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