17.04.25 - Open Ground

Name: Ambient Listening
Start: 2025-04-17T22:00:00+02:00
End: 2025-04-18T08:00:00+02:00
Location: Open Ground

Tickets

Thu.17.04.25

18:00

Ambient Listening

FREIFELD

18:00

Mauzius

Wuppertal

...

Wuppertal-based artist and head of the Ballett label – crafts immersive, deep-textured soundscapes that blur the lines between dub-infused techno and ambient minimalism. His sets are shaped by warm, grainy rhythms, atmospheric grooves, and an earthy sonic palette that feels both grounded and expansive.

Rooted in classic dub aesthetics yet forward-thinking in execution, Mauzius merges analog warmth with precise electronic detail. The result is a sound that is organically fluid yet tightly structured — creating intimate moments between sound and movement.

Whether in the studio or behind the decks, Mauzius curates a dynamic and deeply engaging journey, marked by subtle shifts, hypnotic patterns, and a tactile sense of depth.

Instagram

19:00

Magnus

Cologne

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Magnus is a DJ from Cologne, Germany, whose work sails between ambient, trance and techno with a special interest in atmosphere and depth in sound.

20:00

Waltraud Blischke

Cologne

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Artist, curator, DJ. Composing, mixing, speaking and writing. Artistic director for Ambient Festival and Ambient Chapel in Cologne, composition and production for Kryptologgia, latest release for Meakusma on Hedzoleh Soundz remixes.

Instagram, Soundcloud

21:30

mmara (live)

22:30

Lomi

Cologne

...

Lomi is a musician who explores the intersection of sound and architecture. Since co-founding BRUTALISM in 2015, he uses the label as a cultural research platform that explores sonic forms through materials, textures and structure. His approach combines electronic music with a data-driven exploration of visual media and spatial aesthetics.

Instagram, Soundcloud

ANNEX

Tektra von Roland Kayn

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Tektra by Roland Kayn will be played at Annex, an electricacoustic project for four channels (stereo version).

„..tektra kybernetische musik - cybernetic music - musique cybernétique..“

„..From an early age, Kayn was influenced by information theorists rather than other composers, and it was as a result of this that he started using the term "cybernetic" when describing his music. Basically, Kayn would design networks of electronic equipment and then develop a system of signals and commands that it could obey and execute. Words like "melody," "harmony," and "rhythm" do not apply to Kayn's music. Music, supposedly, should have every detail defined by the composer. Kayn insisted that his "cybernetic" music should regulate itself, thereby relinquishing the narrative elements and the psycho-emotional details usually associated with the ideas of "authorship" and "work of art." This meant that even he could not predict the eventual composition, which were sound processes without an epicentre, where every sound is equally important. For Kayn, "Music is sound, which is sufficient in itself." Roland Kayn felt that present day composers should avail themselves of the electronic techniques at their disposal and that electronic music is more than just the result of rapidly expanding technology..“ Frans van Rossum

Feel free to bring comfy blankets and pillows for the full experience.

Admission 15 €