





Mauzius crafts deep, textured soundscapes, blending dub-infused techno with ambient depth. His music is defined by warm, grainy rhythms, atmospheric grooves, and a broad earthy sound.
Drawing inspiration from classic dub techniques and modern electronic experimentation, he creates tracks that feel organic yet precise.
Whether in the studio or behind the decks, Mauzius delivers a sound that is genuinely structured and dynamic.

Magnus, the Cologne-born DJ whose teenage days as passionate raver and working as a runner in cologne’s club gewölbe shaped his eclectic taste in music. Specializing in House and Techno from the UK, Magnus's open-minded approach carries away audiences with transitions into Ambient, Trance and harder styles. From pulsating beats to ethereal melodies, Magnus will provide the sound for an unforgettable night from across the genre spectrum.

Artist, curator, DJ. Composing, mixing, speaking and writing. Artistic director for Ambient Festival and Ambient Chapel in Cologne, composition and production for Kryptologgia, latest release for Meakusma on Hedzoleh Soundz remixes.

With his new alias „mmara", formerly known as Max Scholpp, the Cologne-based DJ, Producer, and Live-Performer embarks on a journey to introduce a newly formed, yet constantly evolving, musical vision. Embracing experimentation and innovation, pushing the boundaries of traditional genres and blending elements from diverse musical influences.

Lomi is a musician who explores the intersection of sound and architecture. Since co-founding BRUTALISM in 2015, he uses the label as a cultural research platform that explores sonic forms through materials, textures and structure. His approach combines electronic music with a data-driven exploration of visual media and spatial aesthetics.
Tektra by Roland Kayn will be played at Annex, an electricacoustic project for four channels (stereo version).
„..tektra kybernetische musik - cybernetic music - musique cybernétique..“
„..From an early age, Kayn was influenced by information theorists rather than other composers, and it was as a result of this that he started using the term "cybernetic" when describing his music. Basically, Kayn would design networks of electronic equipment and then develop a system of signals and commands that it could obey and execute. Words like "melody," "harmony," and "rhythm" do not apply to Kayn's music. Music, supposedly, should have every detail defined by the composer. Kayn insisted that his "cybernetic" music should regulate itself, thereby relinquishing the narrative elements and the psycho-emotional details usually associated with the ideas of "authorship" and "work of art." This meant that even he could not predict the eventual composition, which were sound processes without an epicentre, where every sound is equally important. For Kayn, "Music is sound, which is sufficient in itself." Roland Kayn felt that present day composers should avail themselves of the electronic techniques at their disposal and that electronic music is more than just the result of rapidly expanding technology..“ Frans van Rossum
Feel free to bring comfy blankets and pillows for the full experience.
Admission 15 €
free entry
free entry
Freddy K
all night long
at Open Ground
at Open Ground
at ANNEX
at Open Ground
at Open Ground
at Open Ground
at Open Ground
at Open Ground
at Open Ground
free entry
free entry
free entry
free entry
free entry