Arthur is one of the most exciting up-and-coming selectors on the Berlin club horizon. Dub-wise and street-smart with an ear for the unusual, his needle lies on the vinyl like a nurse's fingers taking the pulse of the sonic situation w/ his straightaway instinct for the moment to deliver bass and energy to the dance.“ Atonal Berlin, 2019 Arthur made a name for himself in his expertise, dub wise selection across all genres, keeping dances going in a universal rhythm style & fashion.
Mark Ernestus–founder of Hard Wax and producer of Basic Channel, Maurizio and Rhythm & Sound fame–plays mostly Jamaican or other African rooted music beyond prevalent club sounds.
Instagram Arthur, Soundcloud Arthur
Instagram Mark Ernestus
ABA SHANTI-I is a sound system operator and dub producer from the UK. Aba and his sound system have been playing through UK and Europe for over 30 years. He has been a resident sound system at Notting Hill Carnival since 1993 and was voted the No. 1 DJ in the World by DJ Magazine in the same year.
Aba Shanti-I sound system plays music in the roots reggae and dub style. He cites, Dennis Brown, Bob Marley, Junior Delgado, Yabby You and Prince Lincoln as inspiration. The original tracks are usually supplemented by reverb, delays and effects to generate his distinctive sound.
While deejaying for the Jah Tubby's sound system, Aba Shanti-I was known as Jasmine Joe. In 1990, Aba took over the running of the Jah Tubby's sound system, debuting at the Leicester carnival. Since then, Aba Shanti-I and his sound system play regularly in the UK, with residencies at the Notting Hill Carnival since 1993, Leicester Carnival and the University of Dub as well as all over Europe, with appearances in US, Mexico, Brazil, Peru’, Japan and many other locations. Aba Shanti-I has produced and recorded with his brother Blood Shanti and the band the Shanti-Ites, releasing records on their own Falasha imprint. Their first record, Tear Down Babylon was released in 1993. Aba Shanti-I currently has a studio in Hackney, London.
Aba Shanti-I was a founder sound system of the University of Dub in the late 1990s and has been a regular ever since.
Nídia is an internationally acclaimed Afro-Portuguese electronic producer and DJ, based out of Vale da Amoreira, south bank of River Tagus, across from Lisbon. As part of the Príncipe Discos record label and artistic collective, she has been having a decisive role, both as an individual artist and as within the community, in bringing inspiringly progressive aesthetics and ethics to the contemporary alternative dance infrastructure across the globe, and the kuduro culture in particular.
The Tottenham London born-and-bred selector grew up on soul and reggae, later becoming a dedicated junglist. First as a resident DJ at the legendary London club Plastic People, she’s built a rep as one of the most effective and interesting DJs around. Playing shape-shifting, genre-bending sets that effortlessly move from classic rare groove and disco records to upfront house and techno, via garage, jungle and whatever else she feels like. With no social media presence, Josey’s reputation is based on selection, passion and authenticity.
Viola Klein’s records are supremely earthy and astrally inclined. In her DJ sets, she navigates with harmonies through a music selection that combines experimental house from the US Midwest, West African polyrhythms, and music in the tradition of Can from Cologne. Klein was invited to shape the sound of a club night alongside Kampire and Nídia. She has collaborated with Unity Fellowship Church New York, Georgia Anne Muldrow, Ndongo Samba Sylla, the James and Grace Lee Boggs Center in Detroit, Julion De’Angelo, and Whodat. For her own party series, originally called Bring Your Ass and later No Adoration, No Humiliation, she invited artists such as Aaron Carl, K15, and Kyle Hall when he was just 18 years old.
„DJ Viola Klein’s R’nB-infused house cuts had the crowd swooning.“ Crack Magazine
Gretchen's sets chronicle experimental industrial desires, tread noisy deconstructed precipices, and charge unabashedly through fractured backdoors. They are wrested from pain thresholds; Gretchen's dramaturgy shatters on dark bass escapades, ultimately leaving the club abandoned.
Freifeld: Expect roots reggae, dub, kuduro, batida, UK bass – and everything in between.
Aba Shanti-I brings his deep reggae and dub selections to the club, alongside vinyl sets, live electronics and genre-crossing sounds connecting Jamaican tradition with Afro-Portuguese innovation.
Annex: Experimental house, industrial sounds and deconstructed club music.
The night moves between polyrhythmic grooves, dark bass and influences from the US Midwest, West Africa and Cologne.
Admission 20 € / before 11 pm 15 €
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Freddy K
all night long
at Open Ground
at Open Ground
at ANNEX
at Open Ground
at Open Ground
at Open Ground
at Open Ground
at Open Ground
at Open Ground
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